Concept of Tampering in Philosophy and Art
This book is a cry of protest against those who rejoice at the death of ideas and doctrines and declare in a foolish trance that existentialism is dead
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This book is a cry of protest against those who rejoice at the death of ideas and doctrines and declare in a foolish trance that existentialism is dead
Repetition means getting our cognitive and moral bearings not through prompted remembering, but quite unexpectedly as a gift from the unknown, as a revelation from the future. Repetition is epiphany that sometimes grants the old again, as new, and sometimes grants something radically new.
The subject of fiction has received clear interest from many philosophers, both idealists and empiricists. We will depart from the subject of our studies if we try to follow the opinions of modern philosophers in this regard
“[Alice Miller] illuminates the dark corners of child abuse as few other scholars have done.”―Jordan Riak, NoSpank.net
A companion piece to The Concept of Anxiety, this work continues Søren Kierkegaard's radical and comprehensive analysis of human nature in a spectrum of possibilities of existence. Present here is a remarkable combination of the insight of the poet and the contemplation of the philosopher.
In The Sickness unto Death, Kierkegaard moves beyond anxiety on the mental-emotional level to the spiritual level, where--in contact with the eternal--anxiety becomes despair. Both anxiety and despair reflect the misrelation that arises in the self when the elements of the synthesis--the infinite and the finite--do not come into proper relation to each other. Despair is a deeper expression for anxiety and is a mark of the eternal, which is intended to penetrate temporal existence.
Works of Love is, perhaps, the greatest single piece of literature written in the history of humankind. Astonishingly, it has been greatly ignored by philosophers, laymen, and theologians alike. Unlike its predecessors Works of Love has largely remained unknown in the Western world. In an attempt to introduce my parents to this masterpiece, I discovered that the Russians had not even bothered to produce a translation to this very day! Reading recent reviews written by modern readers—a bare dozen or so—I recognized in their writings precisely how I felt about the book: mesmerized and changed. Most reviewers were both disturbed by the fact that such a life-altering book could have been given a cold shoulder, lasting a swiftly-approaching two centuries.
Rare and compelling in its compassion and its unassuming eloquence...her examples are so vivid and so ordinary they touch the hurt child in us all NEW YORK MAGAZINE
As a life raft for beginners and their supervisors, Where to Start and What to Ask provides all the necessary tools for garnering information from clients. Lukas also offers a framework for thinking about that information and formulating a thorough assessment. This indispensable book helps therapeutic neophytes organize their approach to the initial phase of treatment and navigate even rough clinical waters with competence and assurance.
An examination of childhood trauma and its surreptitious, debilitating effects by one of the world's leading psychoanalysts.
Never before has world-renowned psychoanalyst Alice Miller examined so persuasively the long-range consequences of childhood abuse on the body. Using the experiences of her patients along with the biographical stories of literary giants such as Virginia Woolf and Marcel Proust, Miller shows how a child's humiliation, impotence, and bottled rage will manifest itself as adult illness―be it cancer, stroke, or other debilitating diseases. Miller urges society as a whole to jettison its belief in the Fourth Commandment and not to extend forgiveness to parents whose tyrannical childrearing methods have resulted in unhappy, and often ruined, adult lives.
This book deals with discussing topics at the same time. This may be a possible opportunity and a possible opportunity coincides with a unique opportunity.
What is art criticism?
What are the boundaries between art criticism and social criticism?
What are the different streams of criticism?
What is the contemporary critical landscape?