Book's

Repetition means getting our cognitive and moral bearings not through prompted remembering, but quite unexpectedly as a gift from the unknown, as a revelation from the future. Repetition is epiphany that sometimes grants the old again, as new, and sometimes grants something radically new.

A companion piece to The Concept of Anxiety, this work continues Søren Kierkegaard's radical and comprehensive analysis of human nature in a spectrum of possibilities of existence. Present here is a remarkable combination of the insight of the poet and the contemplation of the philosopher.

In The Sickness unto Death, Kierkegaard moves beyond anxiety on the mental-emotional level to the spiritual level, where--in contact with the eternal--anxiety becomes despair. Both anxiety and despair reflect the misrelation that arises in the self when the elements of the synthesis--the infinite and the finite--do not come into proper relation to each other. Despair is a deeper expression for anxiety and is a mark of the eternal, which is intended to penetrate temporal existence.

The main characteristic here is subjectivity as a self-determining force - and this subjectivity and rational power that we have met before in the form of the one who has not yet been defined within himself and whose goal - as it appears in the realm of reality - is in this the most specific thing possible.

The separation of religion from the subject manifests itself in the emergence of an actual will. In the will I am an actual and free being, and I present myself against the subject as another, in order to represent it with myself by removing it from that state of separation.

Works of Love is, perhaps, the greatest single piece of literature written in the history of humankind. Astonishingly, it has been greatly ignored by philosophers, laymen, and theologians alike. Unlike its predecessors Works of Love has largely remained unknown in the Western world. In an attempt to introduce my parents to this masterpiece, I discovered that the Russians had not even bothered to produce a translation to this very day! Reading recent reviews written by modern readers—a bare dozen or so—I recognized in their writings precisely how I felt about the book: mesmerized and changed. Most reviewers were both disturbed by the fact that such a life-altering book could have been given a cold shoulder, lasting a swiftly-approaching two centuries.

The world houses people equally with natural things. When the world is thus treated as a gathering or even a gathering of natural things, it is not conceived as nature, and we do not understand that it is something that is in itself a holistic system, a system of regulations and arrangements, especially laws.

This is the first of two volumes of the only English edition of Hegel's Aesthetics, the work in which he gives full expression to his seminal